Charles-Marie Dulac
Suite de Paysages/Landscape in brown , 1893
Zincograph on simili-japon pasted onto the support sheet. Variant in brown with a similar background tone of the plate. Artist’s proof. With remarque “Les Pensées” (pansy flower). Printed by Monrocq Frères, Paris.
32 x 50 cm
Annotated by the artist “Spécimen tiré à 33 exemplaires, numérotés de 72 à 105’
LOPF 2026: Vistavka Fine Art, STAND S11
Literature : BN - IFF 1; Prelinger, E. (1995). Charles Dulac’s Suite de Paysages. Print Quarterly, 12 (1), pp. 41–52 (ill. 51). Provenance: from the collection of Dr. Ronan Taburet...
Literature : BN - IFF 1; Prelinger, E. (1995). Charles Dulac’s Suite de Paysages. Print Quarterly, 12 (1), pp. 41–52 (ill. 51).
Provenance: from the collection of Dr. Ronan Taburet (1926-2022) (his stamp verso).
This is plate 8 from the celebrated symbolist series “Suite de Paysages”. Inspired by the surroundings at Vézelay, the artist depicted canals, pools, forests, trees. In accordance with his stated intention, he concentrated on mood rather than on detail, taking the Symbolist approach of idealising nature. Dulac intended to capture the fleeting emotions rather than the transient effects of nature.
Provenance: from the collection of Dr. Ronan Taburet (1926-2022) (his stamp verso).
This is plate 8 from the celebrated symbolist series “Suite de Paysages”. Inspired by the surroundings at Vézelay, the artist depicted canals, pools, forests, trees. In accordance with his stated intention, he concentrated on mood rather than on detail, taking the Symbolist approach of idealising nature. Dulac intended to capture the fleeting emotions rather than the transient effects of nature.
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