Minyoung Kim
Shadow under the Moon, 2025
Pencil on paper (framed)
30 x 30 cm
Signed by the artist
Taymour Grahne Projects
Stand W4
Stand W4
£ 2,150.00
One of Minyoung Kim’s greatest strengths lies in her ability to craft narratives – painting unique stories that unfold over time. In each painting, Kim plays with a myriad of...
One of Minyoung Kim’s greatest strengths lies in her ability to craft narratives – painting unique stories that unfold over time. In each painting, Kim plays with a myriad of recurring emblems and motifs that explore the uncertainty of emotional experience and draw the viewer in to a world of playful possibility.
We are confronted with inanimate objects humanised with inquisitive eyes and fruits illustrated with cartoon faces. These interventions explore ideas around the surreal and uncanny – themes that underline Kim’s larger practice. Cats feature throughout the works and are often used to subvert or accelerate dangerous, precarious situations whether it is a cat valiantly holding on to a palm tree in a storm, or haunting feline eyes reflecting on a sharp knife’s edge. The cats tap into something very human in us, our anxieties, fears and hopes. By placing them in a fictitious world, Kim suggests there are real-life consequences.
In Kim's latest works, there is a large furry creature that at first glance can be understood as a cat. Yet with further investigation, we see thick, sharp claws and a shaggy coat – characteristics more akin to a prehistoric mammal. In this creature, Kim takes her role as a storyteller further, creating a bold animal that towers over the land. Where the cat might be seen as a cerebral observer, this extroverted and enormously scaled creature takes centre stage boundlessly exploring the landscape. With these works painted from the vantage point of the character – we the viewer are further drawn into the narrative.
We are confronted with inanimate objects humanised with inquisitive eyes and fruits illustrated with cartoon faces. These interventions explore ideas around the surreal and uncanny – themes that underline Kim’s larger practice. Cats feature throughout the works and are often used to subvert or accelerate dangerous, precarious situations whether it is a cat valiantly holding on to a palm tree in a storm, or haunting feline eyes reflecting on a sharp knife’s edge. The cats tap into something very human in us, our anxieties, fears and hopes. By placing them in a fictitious world, Kim suggests there are real-life consequences.
In Kim's latest works, there is a large furry creature that at first glance can be understood as a cat. Yet with further investigation, we see thick, sharp claws and a shaggy coat – characteristics more akin to a prehistoric mammal. In this creature, Kim takes her role as a storyteller further, creating a bold animal that towers over the land. Where the cat might be seen as a cerebral observer, this extroverted and enormously scaled creature takes centre stage boundlessly exploring the landscape. With these works painted from the vantage point of the character – we the viewer are further drawn into the narrative.
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