Designed for an exhibition of prints and illustrated books in Geneva, this six-colour lithograph reflects Braque’s late preoccupation with the bird motif. After visiting the Camargue in 1955, he returned repeatedly to the subject, reducing it to a poised, essential form within a restrained palette.

Printed at Atelier Mourlot in Paris, the poster belongs to the golden age of artist-led lithography, when exhibition prints were conceived as original works.

Mourlot
Edition of 750, with a further 75 proofs on Arches paper, including signed and numbered impressions before lettering.