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Bruce McLeanDeep Dark Blue Pool, 2024Hand-painted, collaged silkscreen print on paper117 x 145 cmMonoprintView details -
Bruce McleanDeep Dark Blue Pool, 2024Hand-painted, collaged silkscreen mootype117 x 145 cmView details
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Bruce McLeanDeep in Exotic Garden, 2024Hand-painted, collaged silkscreen print on paper117 x 145 cmMonoprintView details
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Bruce McleanDeep in Exotic Garden, 2024Hand-painted, collaged silkscreen mootype117 x 145 cmView details
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Bruce McLeanHot Autumn Yellow, 2024Hand-painted, collaged silkscreen print on paper117 x 145 cmMonoprintView details
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Bruce McleanHot Autumn Yellow, 2024Hand-painted, collaged silkscreen mootype117 x 145 cmView details
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Bruce McLeanLemon Spring, 2024Hand-painted, collaged silkscreen print on paper117 x 145 cmMonoprintView details
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Bruce McLeanMinimal Moody Magnolia, 2024Hand-painted, collaged silkscreen print on paper117 x 145 cmMonoprintView details
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Bruce McleanMinimal Moody Magnolia, 2024Hand-painted, collaged silkscreen mootype117 x 145 cmView details
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Bruce McLeanPomegranate Autumn, 2024Hand-painted, collaged silkscreen print on paper117 x 145 cmMonoprintView details
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Bruce McLeanRed Hot Herbaceous Border, 2024Hand-painted, collaged silkscreen print on paper117 x 145 cmMonoprintView details
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Bruce McleanRed Hot Herbaceous Border, 2024Hand-painted, collaged silkscreen mootype117 x 145 cmView details
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Bruce McLeanWarm Sunlit Edge, 2024Hand-painted, collaged silkscreen print on paper117 x 145 cmMonoprintView details
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Bruce McLeanWild Hot Autumn, 2024Hand-painted, collaged silkscreen print on paper117 x 145 cmMonoprintView details
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Julie MehretuUntitled (Pulse), 2013Lithograph in colours on wove paper56 x 65 cmEdition of 100View details
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Georgia MertonEl Yunque (Medium), 2025Cyanotype on Recycled 100% Cotton Rag Paper84 x 59.5 cmView details
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Georgia MertonLac du Chevril, 2022Cyanotype on Cold Pressed Watercolour 300gsm Paper41.5 x 58.5 cmView details
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Georgia MertonPlatja Nudista, 2024Cyanotype on Handmade Cotton Rag 320gsm Paper76.5 x 56.5 cmView details
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Georgia MertonShadow, 2025Cyanotype on Handmade Recycled 100% Cotton Rag 320gsm Paper70 x 100 cmView details
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Georgia MertonTo What Point II, 2026Cyanotype on Somerset Printmaking 320gsm Paper57 x 76 cmView details
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Charles MeryonLe Stryge, The Vampire, 1853 and laterEtching16.9 x 13 cm
6 5/8 x 5 1/8 inView details -
Duane MichalsEmpty New York II, 2018Photogravure22.8 x 30cmEdition of 25 signed and numberedView details
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Duane MichalsEmpty New York III, 2018Photogravure22.8 x 30cmEdition of 25 signed and numberedView details
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Duane MichalsTexas 1964 Complete Set, 2022Photogravure29 x 22.5 cmEdition of 10 signed and numbered, accompanied by the signed, slip cased artist’s book ‘Texas 1964’View details
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Duane MichalsTexas 1964 I, 2022Photogravure29 x 22.5cmEdition of 25 signed and numbered, accompanied by the signed, slip cased artist’s book ‘Texas 1964'View details
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Duane MichalsTexas 1964 II, 2022Photogravure29 x 22.5 cmEdition of 25 signed and numbered, accompanied by the signed, slip cased artist’s book ‘Texas 1964'View details
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Duane MichalsTexas 1964 III, 2022Photogravure29 x 22.5 cmEdition of 25 signed and numbered, accompanied by the signed, slip cased artist’s book ‘Texas 1964'View details
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Duane MichalsTexas 1964 IV, 2022Photogravure29 x 22.5 cmEdition of 25 signed and numbered, accompanied by the signed, slip cased artist’s book ‘Texas 1964'View details
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Duane MichalsTexas 1964 V, 2022Photogravure29 x 22.5cmEdition of 25 signed and numbered, accompanied by the signed, slip cased artist’s book ‘Texas 1964'View details
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Natasha MichaelsRevision (Venus and Cupid) Venetian Red, 2024monotype, edition variable 2/2.140 x 100cmView details
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Ed MilianoSpring Tree, 2023Mokuhanga etching & collage with gold leaf150 x 106 cm25 V.EView details
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Harland MillerTonight We Make History (P.S. I can't be there), Blue, 2024Etching with silver chine collé and hand-finishing by the print studio108.2 x 77.3 cm
42 5/8 x 30 3/8 inEdition of 25View details -
Harland MillerTonight We Make History (P.S. I can't be there), Lilac, 2024Etching with silver chine collé and hand-finishing by the print studio108.2 x 77.3 cm
42 5/8 x 30 3/8 inEdition of 25View details -
Harland MillerTonight We Make History (P.S. I can't be there), Orange, 2024Etching with silver chine collé and hand-finishing by the print studio108.2 x 77.3 cm
42 5/8 x 30 3/8 inEdition of 25View details -
Harland MillerTonight We Make History (P.S. I can't be there), Pink, 2024Etching with silver chine collé and hand-finishing by the print studio108.2 x 77.3 cm
42 5/8 x 30 3/8 inEdition of 25View details -
Harland MillerTonight We Make History (P.S. I can't be there), Pink, 2024Etching with silver chine collé and hand-finishing by the print studio108.2 x 77.3 cmView details
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Hu MingSummer Night, Harbin, 1998woodblock print52 x 67 cm
20 1/2 x 26 3/8 inEdition of 155View details -
Lv MingThe Whisper of Flowers, 1998woodblock print47 x 60 cm
18 1/2 x 23 5/8 inEdition of 155View details -
Chen MingmingRegeneration - My view of Li Tang's painting, 2021woodblock print52 x 38 cm
20 1/2 x 15 inEdition of 60View details -
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Zhang MinjiePeople Coming Through the Wall, 1998woodblock print47 x 63.5 cm
18 1/2 x 25 inEdition of 155View details -
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JOAN MIRÓComposition III, from: Yvon Taillandier’s Miró 1959-1960, 1961Etching and Aquatint31.4 x 23.8 cm7/50View details
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Joan MiróConstellations, Galerie Berggruen, Paris, 1959Colour lithograph68 x 49 cm900 Editions MourlotView details
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JOAN MIRÓThe First Night of Spring, from: Allegro Vivace, 1981lithograph61 x 90 cm.77/100View details
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JOAN MIRÓThe Octopus Hunter | Le Chasseur de Pieuvres, 1969Etching and Aquatint in Colours with Carborundum on Arches Wove Paper105 x 66.5 cm2 out of 75View details
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A Buyer's Guide to Prints