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Christopher NevinsonBanking at 4000 Feet, 1917Lithograph40 x 31.8 cm
15 3/4 x 12 1/2 inFrom the edition of 200 signed impressions (there were also 100 unsigned impressions). -
George BellowsBilly Sunday, 1923Lithograph22.9 x 41.3 cm
9 x 16 1/4 inEdition of 60. -
Samuel MargoliesBuilders of Babylon, 1937Etching and aquatint36.2 x 27.9 cm
14 1/4 x 11 inEdition of 250 published by Associated American Artists, New York -
Paul LandacreCoachella Valley, 1936Wood engraving15.2 x 31 cm
6 x 12 3/16 inEdition of 60 in the first edition (there were also 19 signed impressions in a second edition) -
Paul LandacreCounterpoint, 1938Wood engraving30.5 x 21 cm
12 x 8 1/4 inOne of 24 signed impressions in the first edition (there were also 21 in a second edition and 8 signed and 7 unsigned in a third edition). -
Peggy BaconDance at the League, 1919Drypoint17.5 x 25.1 cm
6 7/8 x 9 7/8 in -
Martin LewisDay's End, 1937Drypoint24.4 x 34.3 cm
9 5/8 x 13 1/2 inEight trial proofs before the edition of 34, according to McCarron. -
Paul LandacreDeath of a Forest, 1937Wood engraving21 x 27.9 cm
8 1/4 x 11 inEdition of 60 (of which 53 were signed). -
Martin LewisDerricks at Night, 1927Drypoint20.2 x 30.3 cm
7 15/16 x 11 15/16 inEdition of 104, including 3 trial proofs -
Edward HopperEvening Wind, 1922Etching17.5 x 21 cm
6 7/8 x 8 1/4 in -
Paul LandacreFlight, 1954Wood engraving12.4 x 24.1 cm
4 7/8 x 9 1/2 inOne of only 22 signed impressions and 1 unsigned proof (the edition of 250 was never completed). -
Emil NoldeHamburg, Freihafen (Hamburg Harbor), 1910Etching40.2 x 30.5 cm
15 13/16 x 12 inAccording to Schiefler-Mosel, there were around twenty impressions -
Howard CookHarbor Skyline, 1930Soft ground etching and aquatint24.5 x 30.3 cm
9 5/8 x 11 15/16 inEdition of 50, but only 40 proofs were printed -
Louis LozowickHell Gate Bridge, 1928Lithograph33 x 24.8 cm
13 x 9 3/4 inEdition of 15 -
John Steuart CurryJohn Brown, 1939Lithograph36.7 x 25.7 cm
14 7/16 x 10 1/8 inEdition of 250 published by Associated American Artists -
Lyonel FeiningerKriegsflotte, 1 (Warfleet, 1), 1921Woodcut16.5 x 23.5 cm
6 1/2 x 9 1/4 inOne of only 10 impressions printed on Japanese paper, from the edition of 50. No. 8 of the portfolio Zwölf Holzschnitte von Lyonel Feininger, 1921, published by the Bauhaus Weimar -
Letterio CalapaiLabor in a Diesel Plant, 1943Woodcut40 x 24.1 cm
15 3/4 x 9 1/2 inEdition of 50. Exhibited in "Artists for Victory" during WWII -
Benton SpruanceLate Departure, 1933Gouache painting32.4 x 42.5 cm
12 3/4 x 16 3/4 in -
Jean-Emile LaboureurLe Bal Bullier, 1898Woodcut22.2 x 28.9 cm
8 3/4 x 11 3/8 inEdition of 61 -
Ursula FookesMining Town #1, ca. 1930Color linocut24.4 x 28.9 cm
9 5/8 x 11 3/8 inEdition of 50 -
James Abbott McNeill WhistlerMother and Child, No. 1, 1891 and 1895Lithograph18.7 x 19.4 cm
7 3/8 x 7 5/8 inEdition of 33 lifetime impressions and 26 printed by Goulding in 1904. Extremely rare -
Jan MatulkaNew York or "View of New York at Night", 1925Lithograph43.5 x 52.7 cm
17 1/8 x 20 3/4 inEdition of 20. Rare! -
Edward HopperNight Shadows, 1924Etching17.5 x 21 cm
6 7/8 x 8 1/4 inEdition of ca. 500 published by The New Republic, New York, in a portfolio "Six American Etchings (Series I)," 1924 -
Howard CookQueensboro Bridge, New York, 1930Etching and aquatint27.9 x 18.4 cm
11 x 7 1/4 inEdition of 50 (40 printed). Despite the edition size, extremely rare -
William ZorachSailboat, 1919Linoleum cut17.8 x 16.5 cm
7 x 6 1/2 inFrom a small edition -
Stow WengenrothSerenity, 1951Lithograph29.8 x 45.4 cm
11 3/4 x 17 7/8 inEdition of 100 -
Paul LandacreShell, 1935Wood engraving11.7 x 20 cm
4 5/8 x 7 7/8 inOne of 10 signed impressions in the second edition (there were also 54 in the first edition and 12 unsigned in the second) -
Paul LandacreStorm, 1934Wood engraving20.3 x 26 cm
8 x 10 1/4 inOne of 60 in the first edition (there were also 31 in a second edition). Rare -
Thomas Hart BentonStrike (or Mine Strike), 1933Lithograph27.5 x 23.5 cm
10 7/8 x 9 1/4 inEdition of 300. Circulated by Contemporary Print Group, New York City -
Paul LandacreSultry Day, 1935Wood engravingFrom the rare signed first edition of 60 (according to Wien, there were also 7 signed and 8 unsigned impressions in a second edition, before the unsigned published edition of ca. 200).
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Reginald MarshTattoo-Shave-Haircut, 1932Etching and engraving25.4 x 25.4 cm
10 x 10 inSasowsky lists 2 impressions of the first state marked A and B, the latter of which is in the New York Public Library, and 3 "tissue proofs," one of which is offset from another impression. While he accounts for five impressions in total, the impression offered here is not included in his census. -
Christopher NevinsonThe Great White Way, 1920Lithograph49.8 x 30.5 cm
19 5/8 x 12 inEdition of 25, extremely rare -
George GroszThe Green Door, 1934-35Black conte crayon drawing59.1 x 46 cm
23 1/4 x 18 1/8 in -
Martin LewisThe Orator, Madison Square, 1916Etching, sand ground, and roulette27.6 x 32.1 cm
10 7/8 x 12 5/8 inEdition of 19. Rare. -
Childe HassamThe Writing Desk, 1915Etching25.4 x 17.8 cm
10 x 7 in -
Howard CookTimes Square Sector, 1930Etching30.3 x 25.1 cm
11 15/16 x 9 7/8 inFirst trial proof before 35 impressions in the second state. Very rare -
Louis LozowickTraffic, 1930Lithograph23 x 16.2 cm
9 1/16 x 6 3/8 inEdition of 20 -
Martin LewisTree, Manhattan, 1930Drypoint32.7 x 25.1 cm
12 7/8 x 9 7/8 inEdition of 91, including 10 trial proofs -
Louis LozowickUnder the Bridge, 1930Lithograph35.7 x 20.3 cm
14 1/16 x 8 inFirst edition of 20 (there were also 10 printed in 1972). Printed by George C. Miller. -
Martin LewisWet Night, Route 6, 1933Drypoint22.5 x 37.1 cm
8 7/8 x 14 5/8 inEdition of approximately 51
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